Bach Bibliography Search Result

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Type	List	Title [further info]	Series	Vol	No	Year	Pages	Status
		[]
	1.	20. Köthener Bach-Festtage: 1. bis 5. September 2004. Festbuch.	BachFesttage_Köthen	20		2004	132p
	2.	A Comprehensive Index of J. S. Bach Books in English.	Organ	63	247	Jan 1984	36-45
	3.	Affective practices in mid-18th-century German music-making: reflections on C. P. E. Bach's advice to performers.	EarlyM	48	2	2020	193-203
	4.	Bach-Ausstellung im Gohliser Schlößchen. Bach-Dokumente aus Leipziger Besitz.	LeipzigerNNachrichten			15 Jun 1935	1p
	5.	Bach Concordance and Cyclopaedia.				c 1900
	6.	Bach in 1985.	AmerOrganist(2)	19	3	Mar 1985	65-67
	7.	Bach, Nippon, soshite Ningen no Seishin ni sasageta Ichiya.	BCJ		94	Jul 2011	33
	8.	Bach's American Organ.	MJournal	20	8	Nov-Dec 1962	14, 92
	9.	Bach's Choral Music: An Overview.	AmerOrganist(2)	19	3	Mar 1985	130-133
	10.	Bachs 'Kleines harmonisches Labyrinth' (BWV 591). Echtheitsfragen und theologischer Hintergrund.	BachJb	86		2000	51-65
	11.	Bach's Last Fugues.	MTimes	55	853	Mar 1914	161-164
	12.	Bach's Miracle at Cöthen.	MJournal	31	10	Dec 1973	17
	13.	Bach's Organ Works: Plea for New Recording.	MTimes	101	1408	Jun 1960	383
	14.	Bethlehem / USA. Amerikanisches Bachfest.	Musica	27	4	Jul-Aug 1973	373-374
	15.	Camille Saint-Saëns.	[ce]19cChoralM			2012	274-283
	16.	Das Klavier (I) [Entwicklung seit der Erfindung des Spinetts]. Section: II. [Entwicklung des Klavierrepertoires].	MsTheaterM	11	49	9 Dec 1865	769-772
	17.	Die Gesangbuchsammlung Wernigerode in der Staatsbibliothek.	JbPreussKulturbesitz	28		1991	329-338
	18.	Elision and the Embellished Final Cadence in J. S. Bach's Preludes.	MAnalysis	26	3	Oct 2007	267-288
	19.	English Bach Festival. Bach.	MMusicians	24	11: 287	Jul 1976	45-47
	20.	Felix culpa: Goethe and the image of Mendelssohn.	[ce]MendelssohnStudies			1992	64-79
	21.	Felix Mendelssohn's Search for Historical Authenticity: His Two Performances of Bach's St. Matthew Passion.	[p]AMS_Allegheny			Apr 1985
	22.	From Renaissance to Baroque. Change in Instruments and Instrumental Music in the Seventeenth Century.	[cr]York1999			2005	xx, 321p
	23.	George Polgreen Bridgetower: An African Prodigy in England 1789-99.	MQ	66	1	Jan 1980	65-82
	24.	Gottes Zeit ist die allerbeste Zeit. Zwei Geschichten um Johann Sebastian Bach.				1949	77p
	25.	Gravicembalo col piano, e forte: eine Annährung an Bartolomeo Cristoforis Erfindung des Hammerflügels.	Concerto	22	201	Apr-May 2005	25-29
	26.	Harpsichord Society in All-Bach Program.	MAmer	80	5	Apr 1960	23
	27.	Hearing: Physiology and Psychophysics.				1971	xi, 258p
	28.	Johann Sebastian Bach.				1943	xxiv, 166p
	29.	Johann Sebastian Bach.				1885	160p
	30.	Johann Sebastian Bach's Matthäus-Passion: a Performance History 1829-1854.	diss.			1983	viii, 458p
	31.	Karol Szymanowski w perspektywie kultury muzycznej przesz³oœci i wspó?czesnoœci.	[fs]Helman70			2007	686p
	32.	Labyrint a bojovník: Symboly v architektuøe, náboženství a hudbì.				2008	340p
	33.	My heart ever faithful: three-part song (S.S.A.) / music by J. S. Bach				1965	8p
	34.	Ockeghem as 'The Bach of his day'.	[fs]Blackburn			2009	577-592
	35.	Philadelphia Orchestra Presents Bach Oratorio.	MAmer	80	1	1 Jan 1960	40-41
	36.	Rare music manuscripts at Harvard.	CurMcol		10	1970	25-33
	37.	Recent approaches in understanding Cristofori's fortepiano.	EarlyM	34	4	Nov 2006	635-644
	38.	Scaffolding instruction on improvisation – training organists within the Bach circle and beyond.	[p]BICB_Southampton			Jul 2012
	39.	Sechs Sonaten fürs Clavier mit veränderten Reprisen - von Carl Philipp Emanuel Bach. Berlin, im Verlage der Rellstabschen Musikhandlung und Musikdruckerey. 14 Bog. Qfol.	AllgDBib	67	2	1786	450-454
	40.	Sei solo a violino / Johann Sebastian Bach.				2001	x, 103p
	41.	'Singende Seele' or 'unsingbar'? Forkel, Ambros, and the Forces behind the Ockeghem Reception during the Late 18th and 19th Centuries.	JMcol	23	1	Winter 2006	3-61
	42.	Singende Seele or Unsingbar?: Johann Forkel on the Music of Ockeghem.	[p]AMS_Washington			Oct 2005
	43.	Sonaty i partity J. S. Bacha na skrzypce solo. Studium edytorskie i wykonawcze.				1970	123p
	44.	Style and Structure in the Praeludia of Dietrich Buxtehude.	StudMcol	82		1985	vi, 349p
	45.	Subdominant Returns in the Vocal Music of J.S. Bach.	18cM	10	2	Sep 2013	253-276
	46.	Teaching Bach's Aria Forms: Expanding Students' Analytical Horizons.	Bach	49	2	2018	266-280
	47.	Tempo and Rhythm in Bach's Cantata Ouvertures.	Bach	17	1	Jan 1986	3-17
	48.	The Authenticity of and Theology behind Bach's Kleines harmonisches Labyrinth.	[p]AMS_Kansas			Nov 1999
	49.	The Maze and the Warrior: Symbols in Architecture, Theology, and Music.				2001	ix, 351p
	50.	The Mutable Subject: Tonal and Rhythmic Transformations in Selected Fugues of J. S. Bach.	JMTheory	58	1	Spring 2014	1-24
	51.	The opening tonal complex of Bach's St. Matthew passion: A linear view.	EastmanStudM	136		2016	12-25
	52.	Three Sonatas & Three Partitas for Solo Violin, BWV 1001-1006 / BACH.				2006	91p
	53.	Towards a Critical Understanding of Buxtehude's Expressive Chorale Preludes.	StudM(AnnArbor)	107		1990	87-106
	54.	Variations in Practice: The Minuets from the Notenbuch dal Signor Kittell (1789).	[p]BICB_Canterbury			Jul 2016
	55.	Wie war Cristoforis klangliche Vorstellung vom 'neuen' Instrument?	JbStaatInstMf	2004		2005	123-135